Music From DANSE MACABRE |
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| a novel by Gerald Elias | ||||
![]() Dmitri Shostakovich
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String Quartet #8 by Dmitri Shostakovich |
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Excerpt from Danse Macabre by Gerald Elias
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Dmitri Shostakovich - String Quartet #8 performed by the Abramyan String Quartet |
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| String Quartet #8 by Dmitri Shostakovich | ||||
The eighth string quartet by Dmitri Shostakovich provides an example of a composer using his own name to create a melodic theme for the music, a tool employed by composers from Bach to Schoenberg. In this case, the notes Shostakovich used are D, E-flat, C, and B. . . You’re now probably scratching your head, asking “How does E-flat, C, and B spell Shostakovich?” Here’s how it works: D stands for Dmitri; that’s simple enough. E-flat in Europe is called S, C is considered in its K sound, and B-natural in Europe is called H. So now, we have S-K-H, and you can see how this forms the outline of his last name. Shostakovich was fond of using this four note motive in his music. In fact, he was obsessed with it. Throughout the eighth quartet you’ll hear it over and over again in endless variation. But that was not the only thing he was obsessed with. The oppressive tyranny of Stalin’s regime, of which Shostakovich was a recurring victim, represents the death of human spirit in many of his works, perhaps no more so than in this quartet. This hauntingly powerful music, performed by the Abramyan String Quartet on January 28, 2003, appropriately provides Daniel Jacobus with a revelatory clue in his search for the murderer of Rene Allard in “Danse Macabre.”
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